Wednesday, October 23, 2013

ALLEGIANT



There are a thousand different ways I could write this review, yet I find none of them sufficient to explain the glass case of emotion Veronica Roth has put me in. 

Saying goodbye to a series has its perks, but more often than not, we face the ultimate struggle of trying to grasp that its end is not quite "the end" and that the conclusion to a well-loved saga may just be a mini conclusion to the real thing. Nothing is ever certain in books, and I guess that's why people like me are a sucker for things like them. It's because books reflect parts of our lives that we want to happen or we don't want to happen. It's because we identify ourselves with characters---their demons, their triumphs, their self-discoveries. It's because books are just like real life. Nothing is ever sure or stable. 
 
So instead of writing a usual review, I find myself writing my journey with a trilogy that changed my shelf... and my life. 
 
One choice can transform you.
 
One choice can destroy you.
 
One choice will define you.   

I made that choice two years ago when I picked up a book called "Divergent". 
 
I was in a high from "The Hunger Games", and I was starting to fuss over dystopian worlds and what would happen to us if we were not too careful. I remembered my first copy being paperback, and I remembered sniffing it out of habit before even indulging in its words. 
 
I also remembered the looks I got when I had my hands on the book. I remembered the stares of curiosity, the eyes lifting and positioning themselves to get a clearer view of the prized piece I was holding. I remembered the short struck-up conversations, and I remembered recommending it even before I finished it. 
 
It was that good. 
 
I remembered fangirling over Four. I remembered wanting all guys to be like him---brave, strong, broken yet able to love. I remembered squealing over the Ferris Wheel scene and laughing my head off at Tris's fear of getting intimate with him. I remembered jotting down the quotes I loved in my planner and joining the fandom together with my bookish soul sisters. 

But that was not the end of it. 

I made another choice when the second book came. 

When I made the choice to read its sequel, the fandom was beginning to grow in my community. I remembered seeing a copy of "Divergent" in almost all of my high school's classrooms. I remembered the book virus spreading rapidly and people asking me questions about it, begging me not to spoil them. I remembered the all-out fangirl wars over Tobias and how we aligned ourselves into different factions. And I was happy. I was happy because I did not only have my soul sisters to spazz with in the event of a "Divergent" attack. I also had these people---my classmates, my school mates, even a cousin. People began to understand why I now see trains differently, why I would also like to jump from them and to them instead of standing on the platform and hopping into a seat. People began to understand that my obsession over Ferris Wheels have been taken to new heights and why four has become a lucky number for me and my kind. People began to understand why I recommended this book in the first place---for its action, for its romance and most of all, for its snippets of bravery and the importance of choice.

And so I was left with the second book; much thicker than the first. 

Although I loved it as much as "Divergent", I still preferred it when Tris was an initiate and learning to be Dauntless, learning to be brave. I preferred Capture the Flag games over the conflict with leaders and running and hiding. I hated it when Tris and Four fought and lied to each other. I hated it when they were yelling at one another and Four has become too patronizing that sometimes I think he doesn't trust Tris and treats her like a little girl. It was not what I was used to in their thankfully "non-instaluv" relationship. It was not what I loved about them both. 

But the ending satisfied me. The big reveal was all worth the drag. And so is Tris's bravery and Four's trust in her. It satisfied me enough that I traded my paperback copy of "Divergent" for a hardcover edition and placed the two books side by side in my rapidly growing collection. 

And when the date was set for the third book's release, I knew I was about to make that choice again. 

And so here it is---the end of my choices. 

I do not regret being one of the first to read "Allegiant". In fact, I am happy about it. I do not regret staying offline in blogging sites and avoiding the hash tags because I did not spoil myself. I do not regret remaining blind until I hit chapter 50---the inevitable chapter that caused so much pain in my heart. 

But it was beautiful pain. 

This is what Veronica Roth's epic conclusion offers to those who wish to read it---beautiful pain. Beautiful pain in terms of a greatly written series coming to a close. Beautiful pain in terms of a character we've all loved and treasured meeting his/her (I won't tell!) end. Beautiful pain in terms of learning the truths about forgiveness and choice. Beautiful pain in terms of making the ultimate sacrifice for the greater good and for those you love. 

"Allegiant" is all for beautiful pain, and it is what the ending to a dystopian trilogy should be because a dystopian society is a beautiful society---marked with scars instead of smoothness, with rough tides instead of the calm. A dystopian society is beautiful in all its pain and in all its tragedy, in all the bad choices its leaders make and all the revolutions their peoples take part in. A dystopian society is beautiful just because its broken and everything that is broken can find a way to fix itself.

Like it always does. 

Like it should be.
 
Veronica Roth, I know it's a one-in-a-million chance that you might be reading this, but, I knew I made the right choice when I picked up your novel.  

And to all those who choose to finish it with me and the rest of the fandom, welcome to perdition. I knew we liked our choices.

Sunday, October 20, 2013

Palakad-lakad

Kay tagal nang palakad-lakad
Wala pa rin sa pupuntahan
Tila ba'y pangakong huwad
Sinasabing tuwid na daan

Bugbog na katawan at paa
Walang pangalan, walang mukha
Gumagapang lamang papunta
Sa bibig ng mga buwaya

Kay tagal nang palakad-lakad
'Di rin naabot ang pangarap
Kahirapan ang siyang tumambad
Hustisya't di pa rin nahanap

Ang bibig kanilang tinakpan
Ang mga mata'y piniringan
Mga kamay ay ginapusan
Hinataw at pinahirapan

Kay tagal nang palakad-lakad 
Pinaasa sa pagbabago
Lamang pa rin ang awtoridad
Talo ang masang Pilipino

Nilinlang, ipinagkanulo
Kinulong, tinago, kinitil
Binenta, nilason, niloko
Kalayaa't boses siniil

Kay tagal nang palakad-lakad
Sa kanilang pagkagahaman
Tayo ang nagbabayad
Sila nama'y nagpapayaman

Kay tagal nang palakad-lakad 
Dinaya at pinagnakawan
Inabuso't iniwang hubad
Ngunit patuloy sa paglaban

Saturday, October 12, 2013

MINERVA

When the clock struck 12 and I turned 17, my eyes were wide open, the taste of gin burning through my lips and throat, licking my insides with tongues of fire. I pick up the chaser and a tangy sweetness fills my mouth as the shouts of my friends  ring in my ears along with the beats of Vice Tone and Tiesto. 

Cheers to being 17. 

I sway a little, and blood pounds in my ears as I bring my hands together and holler for the first few minutes of entering another chapter of my life. I have noticed the changes—skirts instead of jeans, sensitive topics instead of safe, vodka instead of Coke—and I found myself tangled upon the brambles of growing up in an complex, entropic universe. I was one year behind being legal, but I acted as if I were, indulging in alcohol and truth or drink games. But I have always been like this—carefree, young, reckless but alive.

In the first hour of Day 6,208, I have taken my first full shot of gin and braved to ride a cab alone at 1:30 in the morning—tipsy with a headache beginning to erupt in my temples. In my first hour of being seventeen, a black car already stopped by with a stranger offering me a ride. A clerk at the convenience store flirtatiously asked my age as I picked out another bottle of gin for my best friend's sister, and I confidently assured him that I was eighteen. I have sung and shouted as I crossed empty streets with a few people looking at me as if I were crazy. Maybe I am. Text messages and birthday greetings flooded my screen before my phone died and I got home. I was given a chance to have a new name in which an intersubjective consensus existed among my friends.  I ordered my favorite cup of coffee with hopes that I would get home in one piece without the dangers of the night claiming me or my innocence. 

And I did get home. I got home safe and happy. I got home to where my Mom was still waiting for me, enough to realize how much of a child I still was and how much I was rushing to grow up. 

But I am growing up. I can feel it. I am growing up in a sense that I am taking in more responsibilities and treating each day as if it were the last. 

Truly, I am carpe-ing the fuck out of that diem. 

I look at the mirror, eyes red and a tired grin splayed across my lips. I let my hair down, and it tumbles over my shoulders as I fall into bed and stare blankly at the ceiling. 

Goodbye, sixteen-year-old me. Hello,  new seventeen-year-old self. 

Thursday, October 10, 2013

A PROPER GOODBYE

I am being constantly bombarded by goodbyes this week. And it's tiring, to be honest, to watch faces you might remember or forget come and go as you count the hours to your last exam, to the final day when you would never have to cross paths with that professor that made you go through hell and back, to that much-awaited trip to the beach or the bed where you can pump that fist in the air after that first five months of school.

Even though it's only two syllables, it's tiring to say that word that might just end it all.

One of my classes taught me how to practice proper goodbyes.

Looking back, I realized I was never good at it. Usually the word came out in distorted heaps, half-smiles, smudged makeup and teary eyes. Goodbye was not a thing I excelled in. But I guess some things do deserve a proper goodbye. Some things like the crazy people you'd do underwater stunts with, the kind-hearted madman who doesn't give a shit whether you pay attention in class, the nameless boy in the school halls you've secretly had a crush on, or even that eccentric, good-looking professor who told you about proper goodbyes.

Every beginning deserves an end, and finally, the cycle is complete.

And you just stand there, permanent as you are, as the world changes before you. In less than a month you're thrown in a new class with a new set of friends. You'll be hanging out in different places, preferring strawberry iced tea over cups of coffee, your best friend's advise to smile with your teeth over grinning without, and long walks under the starry night over staying at home and hitting the sheets. Every day will go about like a movie on a constant fast forward till everything's new again in a blink of an eye and a hitch of a breath. There will be plenty of #throwbackThursday's and #flashbackFriday's,and memory after memory will keep resurfacing in your head as your friends become friends but not quite friends and the hellos turn into a series of goodbyes that made you wish you've never said 'hello' at all.

For a girl who has heard over a thousand goodbyes and learned better not to get emotionally attached, I should be immune to the anti-permanent structure of the universe. But I guess, like some terminal diseases, there is no cure for a proper goodbye.

THE HOUSE OF HADES




Although successful in obtaining the Athena Parthenos, the Seven have yet to face another challenge as the remaining demigods onboard Argo II journey to the House of Hades to seal the Doors of Death and to rescue Percy and Annabeth from the pits of Tartarus. But time is running out for the Greek and Roman demigods as war looms over their separate camps and the Earth Mother has chosen the Feast of Hope as her time to rise and crush Olympus.
Master storyteller Rick Riordan weaves the fourth instalment of The Heroes of Olympus as brave and as thrilling as it could get. As the series draws to a close, Riordan pushes his readers on the edge with different challenges for these young demigods as the Prophecy of Seven comes to a full circle. The stakes are higher than before, and the Seven must make choices for themselves and for their fellow demigods. Rick Riordan hands over perspectives and trials to each character, giving them an equal chance to shine and take the spotlight. We are given full screens to watch each character’s growth, and as they do so, we learn to hold them dearer to our hearts. Riordan writes in different voices and adds a dash of sarcasm, fear and wit to make them come alive.
  Although far from reality, the House of Hades explores various human themes---themes such as togetherness, camaraderie, young love, and a hint of sexuality---and uses them to capture the hearts of its readers. The plot thickens as the story progresses, and there are right amounts of tension and relief in each chapter.
The House of Hades lives up to the previous books set in Riordan’s demigod collection. Though it follows the same plot pattern as the previous stories, Riordan never fails to introduce new allies and villains and return some old characters we have learned to love. Overall, this book is a perfect ten that would have readers wanting to tap Cronos on the shoulder so they could get their hands on the series’ epic conclusion.

Tuesday, October 1, 2013

Hello, October



"And then a million lights filled the starry-eyed sky, igniting a new beginning in the face of darkness."

I. Pompeii-Bastille
II. Hanna's Theme-The Chemical Brothers
III. Fineshrine-Purity Ring
IV. Techno Fan-The Wombats 
V. Closer-Tegan and Sarah
VI. Hearts Like Ours-The Naked and Famous
VII. Stay the Night-Zedd ft. Haley Williams 
VIII. Lights-Ellie Goulding
IX. Take A Walk-Passion Pit
X. Love and Run-Tiesto ft. Teddy Geiger 
XI. Cosmic Love-Florence + The Machine
XII. Alive-Krewella 
XIII. Heart Out-1975